DJ T, one fire-breathing component of the many-headed hydra that runs my favorite Berlin label, usually busts out with tracks on the more minimal, hypnotic end of the Get Physical spectrum (see last years’ “Stalker”), and this is no exception. While labelmates Booka Shade and M.A.N.D.Y. are more likely to use a bass-driven tidal wave as their calling card, DJ T’s tracks are like mini tug-of-wars between a persistent group of minor-hued sounds, interacting to create sensuous unrest with microtonal variations.

“Lonely Bastard” is an exceptionally sparse and tech-y example of this style—a melody pushes towards the front and almost seems to develop, but the threat never materializes. Instead, waves of percussive clicks batter the little dinghy of a tune back out to sea. An outstanding example of what I usually think of as a “bridge” track. The Prosumer and Dub Mixes understand this admirably well and present useful manipulations of the formula—the first sunnier and sparser, the second a bit darker and more coagulated.

Get Physical Music / GPM 065-6
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[Mallory O’Donnell]