April 25, 2007

Lopazz - Share My Rhythm

Peter Chambers: Lopazz has always positioned himself (or been positioned) between the airbrush-smooth electro-house that Get Physical mastered (and transcended) and its others: Trevor Jackson’s cool-hunting Output inprint, and the spectre of Playhouse, first with the Villalobos remix of “Migracion,” and now the inclusion of an Isolée remix.

There’s always a danger to having a gifted freak remix your work, even if you are one yourself (witness Villalobos’ showing Beck up on the stellar “Information” remixes). “Share My Rhythm” is a case in point. The original version is a lovely, sparkling electro-disco-house number with that “greet the sunshine” vibe that Metro Area or Danny Wang managed to infuse their tracks with. You listen to it, you don’t think you’re missing out on much: “This will do nicely,” I thought. Then I heard the Isolée remix… It’s just like the original, but all the frequencies are stuffed full of that magical squawk, fuzz, and grit that he seems to have an inexhaustible supply of. Every sound has been lovingly treated in such a way as to bring out both its personality and Isolée’s (sigh). I’m gushing, I know. It’s unbecoming. “Gimme Gimme,” the B, is another serviceable track in the same sound-vein. Again, it’s tidily produced and sounds nice, but after hearing the Isolée mix, it sounds like a thin approximation of something far richer, deeper and more interesting.

Mallory O’Donnell: While it might be tough to pin down the Lopazz sound, it’s oh-so-easy to enjoy. “Share My Rhythm” is no exception to this, boasting a starry, sparkling melody coupled with a stiff tech-house beat and warm, swirling pads. It plays a perfect middleman to introspective and deep-house styles, having a bit of the best of both worlds to offer, with none of the genre-inclusive traits that tend to drag. Isolée turns in a typically fine remix, drawing out the bassline and dubbing up the accents blacker than dread. It’s definitely a chilly take, but one that’s refreshing, like a skinny dip in Autumn waters, rather than the numbed-senses bath of the minimal icebox. B-side “Gimme Gimme” ups the thunkability quotient considerably yet retains the sensuous elan of the title track. A complex, well-rounded EP from an artist who we’ll continue to expect big things from.

Get Physical / GPM 064
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